Ágnes Soltész

Originally working in the fields of economics and finance, I discovered ceramic art later in life, which has profoundly transformed my existence. Following the traditionally Japanese Raku technique, my creations reflect the philosophy of Wabi-Sabi - instead of striving for perfection, I seek the beauty in imperfection. The cracks and small flaws that occur during firing all evoke the fragility and transience of life. When the wheel spins, it feels as if I am connecting to a universal energy; the act of creation itself is a path towards inner harmony. In my work, I aim to showcase the pure beauty of inner values and simplicity. I have participated in numerous exhibitions, and I believe these pieces invite us to celebrate the imperfect beauty of our lives.

Raku pottery is a 16th-century Japanese technique originally created for tea ceremonies, born out of a respect for simplicity and naturalness. Its modern renaissance began in the 20th century, primarily in America. When I started delving into this craft, I was captivated by the ancient method.

First, I shape the clay on the wheel, then I fire it raw at a low temperature. During the second glazing firing, I open the kiln at approximately 1000 degrees Celsius. When I take the piece out hot from the kiln, I ignite it with wood shavings, cover it with earth, and then cool it with water. This sudden temperature change creates beautiful, unique cracks and colour shades in the glaze - it is impossible to achieve the same result twice. For me, Raku celebrates the beauty of imperfection, where each piece has its own story and unrepeatable character.